Giusy D'Arrigo: The painter French-Italo Giusy Di Arrigo was born in Paris in 1970, where she has spent its adolescence to direct contact with the artists that have as reference the School of Fontainebleau, that of the impressionistic representation of the reality, inspiring of the medern painting. At the end of the 80's, it participates in the contests of painting promoted by the artistic Institutes of France in Europe. In the meantime it continues her activity with collective shows of figurative arts along the Boulevard and some Parisian galleries, receiving the first consents of criticism and public. Moved him to Italy, it sojourns where for a long time in Rome, parallelly to the activity of stylist and creator of tall fashion, introduces her first works with themes you to Edgar Degas, Henri Matisse and Mary Cassat. In these compositions type naturalistic-landscape, comprehensive also of delicate harbors, the palette is characterized by intense and bright colors, while the stylistic solutions manifest an unusual ability to manage the spaces and the volumes and a valuable technique in the employment of the shades in which the red predominate, the turquoises, the yellows and above all the golds. Recently, after cenacles of culture in Tuscany, her Of Arrigo, with a modern style, she has proposed proper thematic what the representation of ethereal young girl that you recall to our memory the poetry of the persuasive atmospheres of the “sweet new stile”. These paintings, through apposition on the cloth of gold leaves and refined persons plotted in brocade, they go to place, as artistic conception, in the new Italian figuration, in how much expressive of modern concepts of creativeness and originality. In fact the cromies, absorbing the selective ownerships of the light and the shine of the golds, they produce to read veilings, able to emotionally involve the spectator, which well it perceives as the art, the fashion and the elegance is the true protagonists of the pictures of the painter. The works, are made then more precious by the appearance of the sketch, her ancient love, where the continuity of the lines delimits with care the represented objects, in a context characterized by original effects color of lights and shines clearly-dark, that balances the first floors and the faces of the painted characters denoting an intellectual origin and progettuale of the compositions. The boldness in to represent the new models of figuration, has gotten besides, already peculiar recognitions from the criticism and of the public.